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''Stile concitato'' (rather ''Genere concitato''〔Gerald Drebes: ‘‘Monteverdis „Kontrastprinzip“, die Vorrede zu seinem 8. Madrigalbuch und das „Genere concitato“.‘‘ In: ‘‘Musiktheorie‘‘, Jg. 6, 1991, S. 29–42, online: ()〕) or "''agitated style''" is a Baroque style developed by Claudio Monteverdi with effects such as having rapid repeated notes and extended trills as symbols of bellicose agitation or anger. Kate Van Orden points out a precedent in Clément Janequin's "La Guerre" (1528). Agathe Sueur points out similarities and ambiguities between Monteverdi's ''genere concitato'' and ''stile concitato'' in rhetoric and poetry.〔Agathe Sueur, ''Le Frein et l'Aiguillon. Eloquence musicale et nombre oratoire (XVIe-XVIIIe siècle)'', Paris, Classiques Garnier, 2014, « Lectures jésuites du ''genere concitato'' de Monteverdi ».〕 〔Almeida, Vicente Casanova de. Monteverdi e o Stile Concitato – uma poética guerreira no Oitavo Livro de Madrigais de 1638. Dissertação. 2014. Disponível em: http://www.teses.usp.br/teses/disponiveis/27/27157/tde-10112014-144929/pt-br.php〕 Some examples of stile concitato can be found in the following works: *Claudio Monteverdi (1567–1643): ''Il Ritorno d'Ulisse in Patria'' *Claudio Monteverdi (1567–1643): ''L'incoronazione di Poppea'' *Claudio Monteverdi (1567–1643): ''Il Combattimento di Tancredi e Clorinda'' *Giacomo Carissimi (1605–1674): ''Jephte'' *Barbara Strozzi (1619–1677): ''Tradimento'' ==References== 〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Stile concitato」の詳細全文を読む スポンサード リンク
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